haus irmer polizei


55 ‘Krawalle im Ausland’, Die Polizei. Dachdeckermeister Felix Strenzke Putgolla 7, 03099 Kolkwitz (Glinzig) Dach Deckert ... Zentraldienst der Polizei für Technik und Beschaffung Lipezker Straße 45, Cottbus (Innenstadt) Chinarestaurant Ming Dynastie The destruction of benches, barriers, and lighting systems increased in scale. Once again, then, the 1960s emerge as a period of transition (‘Schwellenzeit’, Reinhart Koselleck) in the establishing of an increasingly transnational youth pop culture in the second half of the twentieth century. Join Facebook to connect with Ulrike Lehmann and others you may know. Polizist_innen würden bespuckt und beleidigt und angegriffen, das habe er selbst schon erlebt. After the event, these expressions would come to be considered prophetic. As for the city of Munich, it considered applying a 14,000 Deutschmark tax on entertainment spectacles on the pretext that the shows by ‘young London singers’ were not about music but simply a form of popular entertainment. Only a few hand-picked guests – a dozen people closely connected to the organisers and a few reporters – were allowed to approach the musicians as they left the airport’s military zone via an entrance usually closed to the public, with special authorisation from the Commandant of the French sector in Berlin. 4From the outset, preparations included a large police operation. The main concert was scheduled to begin at 9.30pm.12, 6The Berlin police had taken a range of precautionary measures, including the deployment of 357 officers, 12 mounted officers, and 30 dogs.13 Task forces and ‘substantial reinforcements’ were on stand-by next to the stage.14 Plainclothes surveillance officers were also present and a space was ready to hold any potential prisoners.15 But it was clear that no major public order issues were expected because equipment was limited to ‘uniforms, protective visors, and batons’ with no helmets or riot shields.16. 2: Zeithistorische Fallstudien 1958-1988, Bielefeld: transcript 2014, p. 19-39. Vol. Eine Betrachtung von Wolfgang Fietkau’. ‘Rolling Stones machen keine Musik – nur Lärm’ (with the Associated Press agency), The question of banning concerts was also debated at an inter-regional level. Fachzeitschrift für die öffentliche Sicherheit, Extract from the Report of the Institute of Police, Paris,’. The destruction of benches, barriers, and lighting systems increased in scale.23, 9The extent to which this destruction was deliberate remains up for debate. Eine transnationale Geschichte (Youth – Pop – Culture: A Transnational History) was published by Suhrkamp-Verlag in 2019. In addition to the responsibility borne by the press, a police spokesperson underlined that of the music itself, moving away from the prior conclusions reached by the foremost German police psychologist, Rolf Umbach, for whom the fans’ contorted dancing – described by the media as ‘convulsive nodding and rhythmic swaying of long Jesus-like hair’ or as movements reminiscent of ‘someone milking a female elephant [. Paris: Presses Universitaires de France, 2011. Read and write album reviews for Polizei Ist im Haus - Polizei on AllMusic As a result, police reforms and new safety standards for concert halls and arenas were developed and internationally debated. 4 Linda Martin and Kerry Segrave, Anti-Rock: the Opposition to Rock 'n' Roll (Boston: Da Capo Press, 1993), p. 132-133. A virulent debate then ensued between the concert organisers, the media, the police, and politicians, about who was principally to blame and all the interests involved. Therefore, the article suggests considering the mid-sixties as a watershed (‘. Approche interdisciplinaire, Savoirs, politiques et pratiques de l'exécution des peines en France au XX, L’aménagement des peines privatives de liberté : l’exécution de la peine autrement, "Théâtre et Justice : autour de la mise en scène des, Le SMPR de Marseille a 30 ans : Histoire et engagement, regards croisés, Catalogue des 552 revues. Police spokespersons expressed strong criticism of the event’s organisation, pointing to the failings of the security services.29 Bravo magazine, which had organised the concert and so was the target of these criticisms, defended the event against newspaper commentaries trying to ‘lay the blame for what had happened on the Rolling Stones’.30 The police also came under pressure from the media. A mere six minutes later, the report describes how the situation escalated. November 2020, gestern und dieser Woche. Alte Polizeiakten verraten nun, wie verhärtet die Fronten waren,”. See the following chapter: Alexander Mitscherlich, ‘Die Idee des Friedens und die menschliche Agressivität’, in. For the first time, audio and visual recordings were used to provide solid evidence but also for purposes of police training. As in one of the execution methods used in Ancient China, this imbalance could even lead to ‘death by music’.37 Politicians used these arguments to call for a ban. I discuss the repercussions of these events in a newspaper article: Bodo Mrozek, The early 1960s were relatively calm compared to the previous decade, during which clashes relating to rock 'n' roll and negative social stereotypes associated with the labels ‘. ‘Welcher Spieler hat uns in der Hand ? Dr. Hans Irmer, Arzt Tel 04102 52610 Fax 04102 52678 E-Mail kreisstelle.stormarn@kvsh.de AKTUELL Schutzpolizei S 1, n.d.., n.p., PhS 3.43.3. 34 Martin Morlock, ‘Girlie Action’, Der Spiegel, no 39, 1965, p. 157. 7By 9.10pm, it was clear that this would not suffice. which had organised the concert and so was the target of these criticisms, defended the event against newspaper commentaries trying to ‘lay the blame for what had happened on the Rolling Stones’. Les débats transnationaux des années 1960, Preparing for the Stones Concert in Berlin, Consequences on the future development of concerts in Germany, https://journals.openedition.org/criminocorpus/4481, http://journals.openedition.org/criminocorpus/docannexe/image/6169/img-1.jpg, http://journals.openedition.org/criminocorpus/docannexe/image/6169/img-2.jpg, http://journals.openedition.org/criminocorpus/docannexe/image/6169/img-3.jpg, L’enfance au tribunal. Jugendkultur, Rock’n’Roll und moral panics im Frankreich der sechziger Jahre.” In Popgeschichte. The incidents that took place during the Rolling Stones’ Berlin concert demonstrate in an exemplary fashion how the emergence of new forms of culture in the 1960s did not occur without conflict. Der liebe Gott versteht allein ein armes Menschenherz. Grotum Thomas, “Die Bill-Haley-Tournee 1958. 27 Annex b3 to S 1 524/65 of September 23, 1965: ‘Abschrift des Kommentars von Matthias Walden über den Verlauf der Veranstaltung mit den Rolling Stones in der Waldbühne’, PhS 3.43.3. With almost 21,000 people already crowded inside, several thousand fans who had not been able to get tickets pressed up against the entrance. See the Report of the Schutzpolizei command S1, Berlin, 16 September 1965, p. 3, Polizeihistorische Sammlung Berlin 3.43.3. All the way through to the evening, fans continue to flood into the Waldbühne without incident. The band had only been playing for ten minutes when several dozen fans climbed onto the stage to join the musicians. 143, November 1965, p. 5-10, and here p. 8. The function of such practices is to ‘evacuate natural aggression’ in a controlled environment, in order to ward off more serious harm. Nur noch seriöse Veranstaltungen in den nächsten Jahren’. / 2 / / TdZ November 2020 / Inhalt November 2020 thema theater und architektur. See more of Radio Cottbus Verkehrsservice on Facebook The Transnational Debates of the 1960s. The venue was entirely sold out. famous for their German adaptations of Beatles hits. Sie erhalten sofort Zugang zu allen digitalen Inhalten im Web und in unserer VRM News-App. 35 See ‘Ventilsitte’, Lexikon zur Soziologie, edited by Werner Fuchs et al., 2nd rev. PhS 3.43.3. Vol. Bitte, Frau Petry, nennen Sie einen Stadtbezirk, wo die Polizei nicht mehr hingeht! In Hamburg, only plain clothes officers had been used, some of whom were dressed as young fans in order to be able to marshal the crowd if necessary. His book Jugend – Pop – Kultur. 22 See the following interview with someone who participated in the clashes: ‘Wenn man da mitten drinne is, denn fällt det ja nich uff, wenn da eener mehr mitmischt’, Blickpunkt, no 143, November 1965, p. 5-10, and here p. 8. Eine Betrachtung von Wolfgang Fietkau’, Blickpunkt, no 143, November 1965, p. 3. 6 See ‘Die “Steine” rollen auf uns zu’, B.Z., September 9, 1965; ‘Bindet die Stühle an!’, Quick, September 1965; ‘“Sie sollen kreischen”. The discourse of criminalisation came to an end and the rock concert became recognised as a cultural event. The convoy also included unmarked cars to ward off any potential fans in vehicles, but everything went according to plan. This article restricts its focus to discussing the Rolling Stones tour which, in autumn 1965, became a focal point for media, police and political debate in Germany. London: Routledge, 2014. ‘Rock’n’Roll Panic’ in der Bundesrepublik Deutschland”, in: Bodo Mrozek et. Paris: Fayard, 2001. Misinformation had deliberately been leaked to the press claiming that rooms had been booked in the city centre. In reality, the group were discreetly housed in Grunewald, a sparsely populated area on the outskirts of Berlin, largely covered in forest.9 The group then took a top secret route through the Berlin backstreets to get to the pressroom of the publisher Springer, where a press conference was held, having only been announced a short time before. Around 9.50pm, the spotlights that had been flooding the stage with bright white light were turned off. Nach dem jüngsten Interview von CDU-Abgeordneten Hans-Jürgen ), Popgeschichte. Er wird dir Mut und Kraft verleih'n, zu tragen deinen Schmerz. From 9.10pm onwards, the atmosphere started to ‘become heated’. The police therefore could not use surprise as an excuse, especially not after the precedent set by the destruction of West Berlin’s Sportpalast during Bill Haley’s concert in 1958.33 A virulent debate then ensued between the concert organisers, the media, the police, and politicians, about who was principally to blame and all the interests involved. 12In addition to the responsibility borne by the press, a police spokesperson underlined that of the music itself, moving away from the prior conclusions reached by the foremost German police psychologist, Rolf Umbach, for whom the fans’ contorted dancing – described by the media as ‘convulsive nodding and rhythmic swaying of long Jesus-like hair’ or as movements reminiscent of ‘someone milking a female elephant [sic]’34.’ – was merely ‘a harmless ritual outlet’. Most of the entries in this bibliography were catalogued in the Online Computer Library Center (OCLC) database between August 1, 2007 and December 31, 2007. Klaus Menne and Helga Haase (Frankfurt am Main: Suhrkamp, 1983), p. 350. 20 Note on the ‘Rolling Stones’ concert on September 15, 1965 at the Waldbühne, September 8, 1965. 1956-2006: 50 Jahre Jugendkultur. Request by the Wiesbaden Prefect of Police to the Berlin Prefect of Police, dated March 31, 1966, P, meeting between officers of the Protection Police (Schutzpolizei) and Criminal I. Rolf Umbach, ‘Beat Ekstase und Polizeieinsatz’, Polizeischau. {Sudhoffs Archiv: Zeitschrift f{\"u}r Wissenschaftsgeschichte} Volume 51, Number 1, 1967 Ekkehard Kleiss Fruchtbarkeitsidole der Timoto-Cuicas: Ein Beitrag zur Kenntnis der frühen venezolanischen Medizin- und Kulturgeschichte. Fights between Mods and Rockers broke out in seaside resorts in the south of England, while in Paris a mass concert announced as the ‘Nuit de la Nation’ (held on the city’s Place de la Nation) spiralled out of control. in Baltimore, this ban remained in place until 1970; See: Linda Martin and Kerry Segrave, Pop Culture Panics: How Moral Crusaders Construct Meanings of Deviance and Delinquency. Fluch der bösen Taten’, Der Abend, March 1, 1967; Detlef Siegfried, Time is on my Side. “Rolling Stones” haben in Berlin viel vor’, Bild, September 2, 1965. This lighting had been chosen based on experiments conducted in jazz concerts, which seemed to show that fans’ emotions could be channelled and literally ‘cooled down’ by white light. 41 Minutes of the debates published in Polizei Schau. Dass mit der Lügenpresse hat … 21The incidents that took place during the Rolling Stones’ Berlin concert demonstrate in an exemplary fashion how the emergence of new forms of culture in the 1960s did not occur without conflict.59 While different actors tried to add to the disreputable image of the Stones before the concert, presenting them without hesitation as the ‘hardest group in the world’, to set them apart from the ‘nice’ Beatles, the media then only accentuated the desired effect. At Hotel Sachsenhof on the Nollendorfplatz. When the five young Brits stepped off the aircraft at Tegel airport on September 15, substantial measures had been taken to ensure security on the runway. Die anderen finden das toll. 41-62. They also took up the topic of the fear of delinquency, dating back to the previous decade, in relation to rock 'n' roll and fuelled by demographic data suggesting societies were becoming ever younger. With almost 21,000 people already crowded inside, several thousand fans who had not been able to get tickets pressed up against the entrance.11 At 8pm sharp, the Berlin groups opening the concert began to take to the stage, one after another. Vor der Tür steht ein Polizist im langen, blauen Mantel, mit Helm und Stock. Haus Christine. Vol. 13The notion of ritual outlet was borrowed from ethnology, in turn inspired by psychoanalysis. Sohn Anne-Marie, Âge tendre et tête de bois. 10, 5All the way through to the evening, fans continue to flood into the Waldbühne without incident. The socialdemocratic senator for youth and sports also made a measured declaration, reminding ‘the elders here present’ that ‘during the Roaring Twenties, he had indulged in strange dances and his parents had had trouble understanding his behaviour’. The discussion around the Berlin Rolling Stones concert therefore reflected problems that had occurred in other countries, which were taken into account when examining its causes and led to an internationalised approach to police tactics. See Report on the experience of police measures relating to beat music concerts, sheet 9, 15. Od 21.12.2007 nejsou v zásadě prováděny na společných vnitřních hranicích mezi Českou republikou a Spolkovou republikou Německo žádné hraniční kontroly (článek 20 nařízení EU číslo 56272006 (Schengenský hraniční kodex)). Das Bauwerk ist trutzig, mit kleinen, vergitterten Fenstern und stilisierten Zinnen entlang des Dachfirstes. Police riot squads ready for action,” Melody Maker, September 5, 1964, p. 1. Eine bundesweit einmalige Einrichtung gegen Kriminalität und Extremismus mit Angeboten von Land, Stadt und Kreis entsteht im Malteser-Haus am Erk-Platz. See Verlaufs- und Erfahrungsbericht über den polizeilichen Einsatz, S. 13. The first firecrackers were thrown, along with some objects including shoes and underwear. In Hamburg, only plain clothes officers had been used, some of whom were dressed as young fans in order to be able to marshal the crowd if necessary.45 Motorbikes proved more effective than horses, which tended to be too sensitive to the noise of the drums and firecrackers. 2: Zeithistorische Fallstudien 1958-1988, Anti-Rock: the Opposition to Rock 'n' Roll. They included the Team Beats Berlin and Didi and his ABC-Boys, famous for their German adaptations of Beatles hits. which, two years earlier, had organised the concert in Paris at Place de la Nation in collaboration with the radio station Europe 1. Thomas, “Die Bill-Haley-Tournee 1958. As in one of the execution methods used in Ancient China, this imbalance could even lead to ‘death by music’. Was denkt ihr? On the events at the Waldbühne on September 15, 1965 (report on the execution and experience), Berlin, September 17, 1965, p. 6, PhS 3.43.3. (Ed. Drum kehr in diesen Hain hinein, wo stille Andacht dich umgibt. Politicians used these arguments to call for a ban. At 8pm sharp, the Berlin groups opening the concert began to take to the stage, one after another. Liste der Bundesländer, in denen sich die Unternehmen der Kategorie Polizei befinden The police therefore could not use surprise as an excuse, especially not after the precedent set by the destruction of West Berlin’s Sportpalast during Bill Haley’s concert in 1958. « Let’s go, let’s go… Unzeitgemäße Betrachtungen über Beatmusik », The notion of ritual outlet was borrowed from ethnology, in turn inspired by psychoanalysis. Shortly after this abrupt end, ‘to avoid further destruction, the evacuation of the Waldbühne’ began around 10.15pm ‘with the use of batons’. D. bekennt, dass sie sich bei der Polizei bewerben möchte. Am Dienstag kehren die Rolling Stones auf die Berliner Waldbühne zurück. Transposing ‘American conditions’ in Germany sometimes exacerbated discussion, as evidenced by this report from the Federal German police in which the author remarked that means of ‘coercion’ such as ‘scatterguns’ had been used in the United States and concluded that ‘with the agreement of citizens concerned about public order, it might be wise sometimes to use more draconian means to restore public safety and order’. Hier treffen sich professionelle und angehende Feuerwerker (Pyrotechniker) sowie Feuerwerksfans. Larger groups were also ‘dispersed’ using fire hoses and a few youths were apprehended and placed in the space for prisoners. See the following interview with someone who participated in the clashes: ‘Wenn man da mitten drinn. predicted that Berlin-Charlottenburg’s Waldbühne, an open-air stage in the shape of an amphitheatre dating back to 1936, should ‘expect anything and everything,’ while the magazine Quick ran the title ‘Tie down the chairs!’ and stated that they feared ‘the worst.’6 Even Bravo promoted the event by means of hype and superlatives: the publicity and tickets promised the ‘hardest band in the world’, with the slogan ‘Things are going to really heat up!’7 After the event, these expressions would come to be considered prophetic. Blitzer gegenüber Haus Irmer in Richtung vetschau. Eine transnationale Geschichte (Berlin: Suhrkamp, 2019), p. 496-453, 614-635; Florence Tamagne, ‘La “Nuit de la Nation”: culture jeune, rock’n’roll et panique morale dans la France des années 1960,’ in Rock et violences en Europe, Criminocorpus – Revue hypermedia, edited by Pascal Dupuy and Joann Élart, 2018, doi: https://journals.openedition.org/criminocorpus/4481. In May 1966, in anticipation of the Beatles concert, Wiesbaden police organised a working meeting on the topic of ‘modern police behaviour towards young people’, in which there was discussion of the lessons to be learned from the events in Berlin.52 The police were given training in crowd psychology, initially rejected by many of them as ‘brainwashing’ imposed by police prefects.53 In Munich, a jazz expert was invited to speak to senior police officers to give them an introduction, with the aim of raising their awareness of different sounds, with the help of a ‘very good Jazz band’.54, 19For comparative purposes, the German police also looked at similar events that had taken place abroad. Die Polizei. Der hessische Landtagsabgeordnete Hans-Jürgen Irmer (CDU) warnt vor einer Islamisierung Deutschlands. In their analysis of the concert, the organisers and the police alike participated in a transnational debate and reacted to rock-related events partly in line with new standards. Internal publications gave accounts of material damage sustained during rock concerts in Paris in 1961, clashes in the south of England in 1964, cases of fainting and ‘hysterical’ behaviour during showings of films about the Beatles that same year, as well as the destruction that took place during Beatles concerts in Australia and in San Francisco.55 The discussion around the Berlin Rolling Stones concert therefore reflected problems that had occurred in other countries, which were taken into account when examining its causes and led to an internationalised approach to police tactics. Für seine Leistungen wurde Town & Country Haus mehrfach ausgezeichnet: Neben dem Franchise-Geber-Preis (2003) zählen der EKS-Strategiepreis (2004), der dritte Platz beim „Sales Award“ des Handelsblattes (2005) sowie der Deutsche Franchise-Nehmer-Preis 2006 zu den wichtigsten Auszeichnungen. The function of such practices is to ‘evacuate natural aggression’ in a controlled environment, in order to ward off more serious harm. The police were given training in crowd psychology, initially rejected by many of them as ‘brainwashing’ imposed by police prefects. 19-39. In unserem Nachrichtenticker können Sie live die neuesten Eilmeldungen auf Deutsch von Portalen, Zeitungen, Magazinen und Blogs lesen sowie nach älteren Meldungen suchen. These wooden benches, designed only for people to sit on them, gave way beneath the weight and when the first planks were smashed to pieces, some fans started ripping up more, either caught up in the excitement, according to some, or out of anger at the brevity of the concert and at police use of batons, according to others – causing similar disturbances as during a Bill Haley concert at the Berlin Sportpalast six years earlier.24 The young band’s repertoire was still limited and the concert was not scheduled to last more than half an hour anyway, but, as the police report concedes, the end of the show was ‘more than premature for some of the fans, who were in a state of complete ecstasy’.25 Shortly after this abrupt end, ‘to avoid further destruction, the evacuation of the Waldbühne’ began around 10.15pm ‘with the use of batons’.26 A television journalist, who witnessed the events from the press gallery, described them in terms similar to those that would be used by a war correspondent, stating that, despite all the noise, it was still possible to distinguish ‘the sharp cracking sound of the destruction of the benches, dogs whining and barking, the crowd shouting and whistling, the injured crying for help, and the shattering of glass.’ 27, 10The next day, the police report recorded a heavy toll and some of these figures would later be revised upwards: 89 detentions, 61 injured given first aid, 28 injured treated as outpatients, 26 injured police officers – 6 of whom were hospitalised –, one injured horse, one urban train wagon destroyed (S-Bahn), and 300,000 Deutschmarks of material damage sustained by the Waldbühne. The convoy also included unmarked cars to ward off any potential fans in vehicles, but everything went according to plan. 5,390 Followers, 33 Following, 341 Posts - See Instagram photos and videos from BUND Naturschutz in Bayern (@bundnaturschutz) It is true that due to problems with their insurance, the Waldbühne remained in ruins for so long that it was not able to host another beat music concert during the following years. Memorandum on the arrival of the English band ‘The Rolling Stones’ in Berlin on September 9, 1965. 18 Police Report on the events at the Waldbühne on September 15, 1965, sheet 2. *0,99€ im ersten Monat, danach 9,90€ mtl. See: ‘Die Waldbühne im Wiederaufbau. According to one press report, the stage was littered with ‘orphaned’ pieces of lingerie.17 Around 9.15pm, the police report indicates an initial ‘surge in tension before the arrival of the Rolling Stones’.18A mere six minutes later, the report describes how the situation escalated. These included, among others, the ‘Beatlemania’ that – according to the contemporaries – spread like wildfire across Europe, the United States, and as far as Japan. The first firecrackers were thrown, along with some objects including shoes and underwear. In order better to understand the events in Germany, the German police asked the French police for their files on the ‘Nuit de la Nation’.56 Transposing ‘American conditions’ in Germany sometimes exacerbated discussion, as evidenced by this report from the Federal German police in which the author remarked that means of ‘coercion’ such as ‘scatterguns’ had been used in the United States and concluded that ‘with the agreement of citizens concerned about public order, it might be wise sometimes to use more draconian means to restore public safety and order’.57. ‘Rock’n’Roll Panic’ in der Bundesrepublik Deutschland”, in: Bodo Mrozek et. “Stones Dragnet! In, Popgeschichte. It was preceded by alarmist reports about the Stones’ reputation, on the one hand, and events linked to their concerts abroad, on the other: in Ireland, fans had invaded the stage; it transpired that during their tours in the United Kingdom, the band nicknamed the ‘Wild Ones of Beat’ travelled in windowless vans along secret routes as though on a ‘military operation’. Dessen Vorsitzender, der Wetzlarer CDU-Bundestagsabgeordnete Hans-Jürgen Irmer, sagte, egal ob Land, Stadt oder Kreis - alle Beteiligten zögen an einem Strang. Bd. Testen Sie jetzt unser Web & App-Abo für nur 0,99€ im ersten Monat. Das sei auch schwer für die, dann immer ruhig zu bleiben. 1The early 1960s were relatively calm compared to the previous decade, during which clashes relating to rock 'n' roll and negative social stereotypes associated with the labels ‘Halbstarke’, ‘teddy boys’, and ‘juvenile delinquents’ constantly made the headlines. He argued against any ban on the grounds that, in his view, the State should prohibit as little as possible. The violence also took place in reaction to the police intervention, which was in part unnecessarily aggressive, and as a result of logistical organisation and material conditions that were entirely unsuited to the new format required by a rock concert – as was the case in Paris with the ‘Nuit de la Nation’. , January 6, 1967; see H. J. Bünger, ‘Stadtrat “ra. 24 See ‘Wenn man da mitten drinne is […]’, op. Request by the Wiesbaden Prefect of Police to the Berlin Prefect of Police, dated March 31, 1966, PhS 3.43.3. meeting between officers of the Protection Police (Schutzpolizei) and Criminal Investigation Department (Kriminalpolizei) in the Haus St. Michael in Königshofen, Wiesbaden, February 5, 1966, p. 1, PhS 3.43.3. Memorandum on the arrival of the English band ‘The Rolling Stones’ in Berlin on September 9, 1965, Polizeihistorische Sammlung [hereafter PhS] 3.43.3. , 8 September 1965; Report on the execution and experience of the police measures relating to the Berlin visit of the ‘Rolling Stones’, Berlin, September 23, 1965, p. 3, PhS 3.43.3. The first bottles had started to fly outside the venue. Staatsministerium des Innern, München, May 26, 1965, Bayerische Polizeischule Fürstenfeldbruck 472, Bayerisches Hauptstaatsarchiv. In the Waldbühne, though, the police report testifies to the reverse effect: ‘in the glare of the spotlights, they [the audience] lost all inhibitions and felt as though they were the “photogenic focus” of all attention.’21 When the spotlights were suddenly turned off, at the organisers’ request, to signal to the audience that the show was over, many of them panicked as they were suddenly plunged into darkness.22 Recorded as occurring at 10pm, the ‘end of the event’ was disorderly, as the report states: Hundreds of youths [tried to] storm the stage. 49 Telex sent to the Schutzpolizei command, September 22, 1965, PhS 3.43.3. According to one press report, the stage was littered with ‘orphaned’ pieces of lingerie. rev. This solution was even more advisable because ‘youths were drawn to everything to do with technology and admired the audacity and skill of the motorbike riders’. Things did not reach that stage, however, and nor were beat music concerts banned generally. They also took up the topic of the fear of delinquency, dating back to the previous decade, in relation to rock 'n' roll and fuelled by demographic data suggesting societies were becoming ever younger. PhS. Bei der Räumung eines Hauses im Berliner Stadtbezirk Friedrichshain hat es Zusammenstöße zwischen Polizei und autonomer Szene gegeben. inetnum: 85.13.128.0 - 85.13.159.255 netname: NMM-NET-1 descr: Neue Medien Muennich GmbH country: DE remarks: ***** remarks: static ip network remarks: For spam, abuse & security issues please contact abuse@all-inkl.com remarks: ***** org: ORG-NMMG1-RIPE admin-c: RM1862-RIPE tech-c: RM1862-RIPE status: ASSIGNED PA mnt-by: nmm-mnt created: … Bravo’s tour included concerts in Münster, Essen, Munich, Berlin, and Hamburg. 11 See the Report of the Schutzpolizei command S1, Berlin, 16 September 1965, p. 3, Polizeihistorische Sammlung Berlin 3.43.3. 11. Nur noch seriöse Veranstaltungen in den nächsten Jahren’, Der Kurier, October 24, 1966; ‘Rolling Stones kommen nicht. 30 Bravo, no 41, 1965, cited in BRAVO. Zeitschrift für musisches Leben in der Jugend. Around 9.15pm, the police report indicates an initial ‘surge in tension.

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